 |
 |
|
|
| |
| |
| |
|
|
| Articles about Francis Ford |
| Francis Ford Coppola | | 2008-03-22 07:30:00 | | Comentario curioso que ya escuché por ahí:"En tanto, la chica ya está ensayando con Francis Ford Coppola con personaje que le llevará doce días de trabajo, por lo que cobrará el mínimo de actores, asegurándose en los mentideros locales que el "padrino" es un gran admirador de Víctor Hugo (autor de "Los miserables") con respecto a los sueldos."( La Pavada)La chica es Sofía Gala.A) el Productor pagará lo que indica la ley. ¿Obedecer a la ley es ser miserable? El problema, si existe, lo tiene la AAA. ¿Porqué hay que pagar mas si no hay gran demanda de actores argentinos en Hollywood?. Como bien dice en su Convenio Colectivo de Trabajo 357 a partir del 1 de Septiembre: "una justa recomposición salarial".B) y si realmente fuese cuidadoso con el dinero no se condice con haber pagado 900.000 dólares por la casa donde tiene su productora. Es una estafa lisa y llanamente. Capaz que no quiere que lo estafen de nuevo...Siempre llorando...... | | By: El Bárbaro | | |
| | "Un'Altra giovinezza" di Francis Ford Coppola | | 2007-10-30 04:18:00 | | Finalmente inizia oggi una (spero) proficua collaborazione con CINEMALEO, un utente di Youtube le cui recensioni Mi hanno particolarmente e favorevolmente colpito, specialmente per la 'regia' con cui...
[[ This is a content summary only. Visit my website for full links, other content, and more! ]]
... | | By: Movies & Music | | |
| | The Godfather: Part II. Francis Ford Coppola. | | 2007-05-08 13:47:04 | |
Francis Ford Coppola created the modern film sequel with The Godfather: Part II. I wonder how people who've never seen the first one understand the second one. I was talking to a friend about it and he described it as the best filmic account of “the darkening of a man's heart.” I hadn't seen it in ten years and while that description is perfect, I found it interesting without knowledge of the original, it'd wouldn't really work. One might figure out something was a little off, since Michael's not exactly a person to spend 140 minutes with. Even the last scene moves away from giving any context to the character's tragedy, instead going further--adding an unexpected layer to the character, reversing some of the viewer's assumptions (ones the same scene had initially--and this scene is at most four minutes--reestablished).
In many ways, it's a more depressing version of Citizen Kane, one where it never occurs to Kane to keep the snow globe (which is a good reason there's n... | | By: The Stop Button | | |
|
|
| |
 |
|
| |
| |
|
 |